The Suite was initially completed for publication in the summer of 1928, while he was on vacation at Lussac-les-Châteaux with his wife, Lucilia Guimarães, visiting Spanish pianist Tomás Terán. Instead, Villa-Lobos, a composer who wrote at the guitar, wrote many small pieces for guitar and some of these were later adapted into the suite. The creative process of Suite populaire brésilienne took many years, as the different movements that make up the suite were never conceived to be put together. This later enabled him to compose many pieces inspired by the musical style and folk material of chorões, entitled choros. In his early days, he would perform and improvise with other chorões in cafés, nightclubs, and cinemas in order to make his living. Even though he didn't pursue an academic musical career, his remarkable skills opened the doors to various chorões in Rio de Janeiro. Despite being primarily taught to play the cello as a young child by his father, who was an amateur musician, Villa-Lobos later mainly taught himself how to play the guitar at home.
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